Jin Jang
The yin-yang, with its endless flow of energy, embodies the constant movement and harmony of opposites, showing that nothing exists in isolation. The presence of the skulls deepens this meaning...
Category: | Annadorfmann |
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Autor: | H. L. Annadorfmann |
City: | Karlovy Vary |
Date: | 2025 |
Size: | 83x86 |
Materials: | Polystyren |
Framing: | - |
Hanging: | - |
This artwork fuses the ancient yin-yang symbol with the powerful motif of skulls, creating a visual metaphor of the balance between life and death. The black and white skulls placed within opposite halves serve as a reminder that death is an inseparable part of life, and that even in darkness there is light – and within light, a shadow.
The yin-yang, with its endless flow of energy, embodies the constant movement and harmony of opposites, showing that nothing exists in isolation. The presence of the skulls deepens this meaning: death is not merely an end, but an integral part of the cycle that gives life its true value.
The piece invites reflection on the idea that every extreme contains a fragment of its opposite – life carries the imprint of death, and death reveals the essence of life. It stands as a symbol of acceptance, showing that our existence is woven from contrasts that complete one another and remain in eternal balance.
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